Install Flash Operator Panel Asterisk Server. Our recommendation is to install on both devices the same type of interfaces (Fast or Giga Ethernet Full Duplex). An easy and quick way is to install one Asterisk based Linux distribution like. Flash Operator Panel 2. Or if you use a vanilla Asterisk installation. Removed dhtmltooltip in dhtml panel and. The Flash Operator Panel was the first truly. The timers are polled now from Asterisk, if you load the panel.

The more I think about it, the less this makes sense. FreePBX Distro specifically asks you to set the FOP password on the first install. Why do that if FOP is disabled? FreePBX Distro has an option ON THE MAIN GUI PAGE to access the FOP. That option appears even if FOP is disabled.

If you click on the FOP icon when FOP is disabled (as it is by default), you get an error message. Why have an icon on the main GUI page to access FOP if FOP is disabled by default? Are you sure this was a deliberate decision, and not an oversight? In prior versions, FOP was enabled by default.

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How to change FOP1 to FOP2 on Elastix 1. Download and install FOP2 cd /usr/src wget tar -zxvf fop2-2.22-centos5-i386.tgz cd fop2 make && make install 2. Add fop2 user to Asterisk Manager. Edit /etc/asterisk/manager.conf fop2 secret = psfop2 deny=0.0.0.0/0.0.0.0 permit=127.0.0.1/255.255.255.0 read = system,call,log,verbose,command,agent,user,config,command,dtmf,reporting,cdr,dialplan,originate write = system,call,log,verbose,command,agent,user,config,command,dtmf,reporting,cdr,dialplan,originate 3. Edit /usr/localfop2/fop2.cfg and change the following lines.

Manageruser=fop2 managersecret=psfop2 4.Edit /etc/amportal.conf and edit the uncomment the line starting FOPRUN and change it as following. FOPRUN=false 5. Edit /var/www/html/panel/opserver.cfg and change listenport. Listenport=4444 6. Edit /etc/httpd/conf/httpd.conf and add the following line under Aliases: alias /panel /var/www/html/fop2 7.

Add FreePBX index file and change the fop2 ownership asterisk. Cp /var/www/html/fop2/index.html /var/www/html/fop2/indexamp.php chown -R asterisk.asterisk /var/www/html/fop2 8. Restart httpd,amportal and fop2 services. /etc/init.d/httpd restart chkconfig fop2 on service fop2 start /usr/sbin/amportal restart. February 2018 M T W T F S S 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 Technical.

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Background information
Gatton with his pearloid Telecaster
Birth name	Daniel Wood Gatton Jr.
Born	September 4, 1945 Washington, D.C., US
Died	October 4, 1994 (aged 49) Newburg, Maryland
Genres	Blues, rockabilly, jazz
Occupation(s)	Musician
Instruments	Guitar
Years active	1960–1994
Website	dannygatton.com

Daniel Wood Gatton Jr. (September 4, 1945 – October 4, 1994) was an American guitarist who combined blues, rockabilly, jazz, and country to create a musical style he called 'redneck jazz'.^[1]

Career[edit]

Daniel Wood Gatton Jr. was born in Washington, D.C., in 1945. The son of a rhythm guitarist, Gatton started playing at the age of nine. From 1960–1964 he played jazz guitar with the Offbeats, then worked as a session musician in Nashville.^[2]^[3] When he returned to Washington, he drew attention in the 1970s as a member of Liz Meyer & Friends and other local bands. He recorded his debut album, American Music (1975), followed by Redneck Jazz (1978) with pedal steel guitarist Buddy Emmons appearing as a guest. He founded the band the Redneck Explosion.^[2]

Although Gatton could play most genres of music, including jazz, blues, bluegrass, and rock, he was known as a country and rockabilly guitarist.^[2] He toured with singers Roger Miller and Robert Gordon.^[3] He was sometimes called 'The Telemaster' and 'the world's greatest unknown guitarist'.^[2] Guitarist Amos Garrett called him 'The Humbler' for his ability to defeat other guitarists in 'head-cutting' jam sessions.^[4] On this point, however, Gatton declared “The biggest humbler to me, of all time, would be Lenny Breau. He was the best I have ever seen.'^[5]

In 1987, nine years after his previous album, he released Unfinished Business, an eclectic collection of pop, rock, and country music that Guitar World magazine named the tenth best album of the 1980s.^[6] He got a contract with his first major record label and released another eclectic album, 88 Elmira Street (Elektra, 1991),^[3] which contained a cover version of the theme song from the animated TV series The Simpsons.^[7]

Gatton turned toward jazz for the albums New York Stories (Blue Note, 1992) and Relentless (1994) with Joey DeFrancesco.

Death[edit]

On October 4, 1994, Gatton locked himself in the garage on his farm in Newburg, Maryland, and took his own life by shooting himself.^[8] Although he left no note or explanation,^[9] family members and close friends believe he suffered from depression for many years.^[10] Friend and drummer Dave Elliott said that he thought Gatton had suffered from depression since they met more than twenty years earlier.^[8]

Gear and playing style[edit]

Gatton played a 1953 Fender Telecaster customized with Joe Barden pickups and Fender Super 250Ls, or Nickel Plated Steel (.010 to .046 with a .015 for the G) strings (Fender now makes a replica of his heavily customized instrument), and a 1956 Gibson ES-350. For a slide, Gatton sometimes used a beer bottle or mug. In the March 1989 issue of Guitar Player magazine, Gatton said he preferred to use an Alka-Seltzer bottle or long 6L6 vacuum tube as a slide, but that audiences seemed to prefer the beer bottle. Unlike many electric guitarists, Gatton played slide overhand only, citing his earlier training in steel guitar [Guitar Player, March 1989]. Among amplifiers, liner notes on his album '88 Elmira Street' cites his use of Fender amplifiers including a 1963 Vibrolux, a 1963 Super Reverb, a 1958 Twin, a 1964 Deluxe, and a 1958 Bassman.^[11] Gatton built many of his own electric musical devices, including one he called the Magic Dingus Box, which controlled the speed of the rotating horn in a Leslie speaker cabinet.^[12]

Reception[edit]

When Rolling Stone magazine selected the 100 Greatest Guitarists of all Time in 2003, senior editor David Fricke ranked Gatton 63rd on his ballot.^[13] On May 26, 2010, Gibson.com ranked Gatton as the 27th best guitarist of all time.^[14]

Among his admirers are Buckethead, Joe Bonamassa, Lenny Breau, James Burton, Chris Cheney, Vince Gill, Johnny Hiland, Evan Johns, Bill Kirchen, Albert Lee, Les Paul, Arlen Roth, Roy Buchanan, Darren Thiboutot Jr., Richie Sambora, Ricky Skaggs, Slash, and Steve Vai.^[9]

Gatton has been described as possessing an extraordinary proficiency on his instrument, 'a living treasury of American musical styles.'^[15] In 2009, John Previti, who played bass guitar with Danny for eighteen years, stated, 'You know, when he played country music, it sounded like all he played was country music. When he played jazz, it sounded like that's all he played, rockabilly, old rock and roll, soul music. You know, he called himself a Whitman sampler of music.'^[10] Guitarist Steve Vai reckons Danny 'comes closer than anyone else to being the

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